Wednesday, May 11, 2011

Plotting the plot

One of the biggest questions writers have is how much plotting should they do before they start writing.

I have followed plot outlines faithfully and they work. However, I am generally so anxious to start writing that I have been known to begin with only a simple idea or two.

For example…I started Tombs of Terror because of the stories I heard about the secret tunnels in Peru. I thought that would make a great Young Adult adventure novel. Next I created a main character, Jonathon, who would get lost in the tunnels.

With only that much information, I started writing.

Severino and Carlos both appeared in the story after I had started. Severino showed up first. He was just going to help Jonathon get out of the tunnels but I liked the rawness of his life and felt he was great composite of the wonderful Peruvian teenagers I have met.

Originally Carlos was only going to appear for the second chapter but I liked his older and wiser personality so well that I let them stick around for more of the adventure and had him teach Jonathon about the Inca culture.

The story evolved from there.

However, all stories need main plots, secondary plots, and plot twists. Here is a great formula that I use to help me remember when and where to include these necessities.

CHAPTER ONE: Hero is introduced.

CHAPTER TWO: Villain and his quest are introduced. Hero faces or expresses concern over a goal of value he feels is important. This concern is seemingly unrelated to the plot but later becomes a key part of the story.

CHAPTER THREE: The villain and his quest are still followed. Hero faces a problem with a matter of heart. Hero’s problem in chapter two appears resolved.

CHAPTER FOUR: The villain crosses paths with the hero for the first time, though the hero doesn't know it yet. A secondary plot line develops in this chapter and runs through the rest of the book. This secondary plot line involves a second character or problem.

CHAPTER FIVE: No villain in this chapter. The hero faces an unexpected problem (plot twist) that casts doubt about the problem resolution discussed chapter three. Stories with the matter of heart and the secondary plot continue.

CHAPTER SIX: The hero faces problems with the matter of heart and the unexpected problem started in chapter five. The secondary plot continues and begins to involve the hero.

CHAPTER SEVEN: Hero solves chapter five's problem but still struggles with the matter of heart problem. In this chapter, a shocking plot twist develops that tells the hero his problems are bigger than he thought and is something evil going on, even if he doesn’t know who or what yet. Secondary plot problems continue to grow.

CHAPTER EIGHT: Hero thinks he has found the solution to the problem with the evil he discovered in chapter seven. He also enjoys his matter of heart. Things are fine until the end of this chapter when a new problem (plot twist) surfaces that brings the villain back in a new and more dangerous way. This plot twist also combines both the main and secondary plots.

CHAPTER NINE: The hero focuses on conquering the villain and neglects the matter of heart.

CHAPTER TEN: The hero continues his quest to conquer the evil villain. Danger from the villain increases.

CHAPTER ELEVEN: This is where many novels sag. To fight that, the writer must throw in a series of new problems the hero must face...a new one in each of the next three chapters. In this chapter the hero appears to get the upper hand but this short-term-victory angers the villain.

CHAPTER TWELVE: Disaster occurs which threatens the matter of heart.

CHAPTER THIRTEEN: The hero is distracted from the villain and more concerned about the matter of heart. This distraction gives the villain an edge on the hero, still angry about the events of chapter eleven.

CHAPTER FOURTEEN: Because of chapter eleven, the quest of the villain now focuses directly on the hero. In this chapter, the quest to destroy the hero becomes 'personal'.

CHAPTER FIFTEEN: The villain starts to systematically destroy everything of value to the hero.

CHAPTER SIXTEEN: After the initial wave of losses, the hero re-evaluates his priorities and decides the matter of heart and his personal goal or value mentioned in chapter two are the most important. The hero is ready to walk away from the conflict.

CHAPTER SEVENTEEN: The villain orchestrates a major disaster that threatens both the matter of heart and the hero's main goal or value.

CHAPTER EIGHTEEN: The hero must decide between the matter of heart or his goal. The hero chooses the matter of heart. The hero works to save the matter of heart.

CHAPTER NINETEEN: With the matter of heart safe, the hero realizes he can't walk away from the conflict. To honor his main goal or value, the hero must face the villain personally.

CHAPTER TWENTY: In this chapter things go wrong for the hero. Finally, the hero must make a sacrificial decision which gives the villain victory. A surprising twist, often involving help from the now saved matter of heart, brings down the villain and the hero wins.

CHAPTER TWENTY-ONE: All problems are resolved. The hero is reunited with the matter of heart, the book ends with the hint of 'more' for the hero. This ‘more’ can be more matter of heart or more danger. You decide!

Good luck this summer!

1 comment:

  1. I like your way of describing the chapter breakdowns. I need to write some of my own ideas and stick with them until I get them fine-tuned. Someday... someday.